IT

Real Estate since 1974

Riccardo Catella Foundation

Over 10 years of projects for sustainable urban development in Milan.

COIMA is also committed to supporting the communities within which it works through the action of Fondazione Riccardo Catella, a registered no-profit institution established in 2005 with the mission of improving the quality of urban life and promoting the culture of sustainability within the community.

The Foundation focuses on environmental sustainability and social inclusion through civic-cultural and research activities that aim to engage with the public and raise awareness of the importance of green urban spaces, the promotion of public areas and the adoption of sustainable behaviours in daily life.


The Foundation

Diffonde la cultura della sostenibilità nel territorio
Diffonde la cultura della sostenibilità nel territorio

Disseminates a culture of sustainability in the region

Sviluppa progetti civici di valorizzazione del territorio urbano
Sviluppa progetti civici di valorizzazione del territorio urbano

Develops civic projects for the optimization and enhancement of the urban environment

Promuove un approccio responsabile e sostenibile nello sviluppo urbano
Promuove un approccio responsabile e sostenibile nello sviluppo urbano

Promotes a responsible and sustainable approach toward urban development

Promuove una collaborazione aperta con il settore pubblico e no profit
Promuove una collaborazione aperta con il settore pubblico e no profit

Fosters an open collaboration with the public and non-profit sector


Fondazione Riccardo Catella
Fondazione Riccardo Catella

Since July 2019, thanks to an innovative public-private partnership with the City of Milan and COIMA, the Foundation is responsible for the management, security, maintenance and cultural programme of BAM (Biblioteca degli Alberi Milano). BAM’s programme translates into numerous initiatives: cultural guided walks, nature workshops, sporting activities, with a continuous effort to develop new formats that reshape the offering of cultural institutions, narrowing the distance between stage and audience, and reaching new audiences — for example teenagers, a group particularly affected psychologically by the pandemic.

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